Robert Meldrum's Art Practice incorporates both Painting, Collage and Sculpture. Built around established forms of modernism / post modernism building on its line and colour to unify its sharp distinctions of tone.
The immediacy of delivery can often be seen as glib but the approach is not to be confused with cynicism. However discordant and ruined some environments might seem what is most often alluded to is what is survivable, or beyond even our reach. Other works allude more to the present using geometric grids to reference childhood building blocks as well as domestic and hardware items to lend a physical presence to compositions from local landscapes to outer space. Others still use more painterly approaches with schematic representations of forest and erosions of signs and graffiti. Animals are referenced freely in familiar art contexts, less for any irony, than a longing for their missing presence.
The practice forms a composite portrait of landscape both Industrial and Natural as well as the portals of our communication systems themselves.

Robert is represented by Theuer und Scherr in Mannheim

Paintings are in Collections in both the UK, Russia and Germany.

Studied Wimbledon Collage of Art.
Selected Exhibitions;

Technical Assault, ART@10GS, 60 Threadneedle Street, 2011
Group Show, Rag Factory, Brick Lane, London2012
Paintings, Theuer & Scherr, Mannheim, 2012
Group Show, Vibe Gallery, Bermondsey, London, 2013
Poosk Gallery, Hammersmith, Little Experiment, 2014
Group Show, Griffin Gallery, Latimer Road, London, 2014
Your Absence Looks Nice To Us, Theuer und Scherr, Mannheim, September, 2016
Reign of Fire, Heath Industrial Estate, South London, February, 2017
He May Kill Me, The Phoenix Gallery Brighton, August 10th September 9th, 2019
RIBA/Article 25 (Royal Institute British Architects) London. September 18th, 2019